Abstract
In an intensifying climate crisis with sustainability as a moral framework for political, corporate, and individual behavior, there is a broad range of nonprofit organizations communicating increasingly professionally as agents of social change. Here, the potential of Eco-art as a way to stimulate social and ecological transformation by communicating sustainability more strategically (and thus effectively) is currently overlooked. After conceptualizing Eco-art as an example of a new type of antiprofit—in the sense of agonistic communication, putting existing (unsustainable) power structures and symbolic order into question—we examine the project FOR FOREST, which transformed a local football stadium in Central Europe into a large public art installation, where 300 trees were transplanted over the existing football pitch. The qualitative analysis of (social) media content in the exhibition period, complemented by interviews (N = 15) with central stakeholders, offered insights into three problematizing fields of discourse. With our contribution, we show the potential of Eco-art for sustainability communication in handling dissensus with agonism and its important role in demystifying sustainability by moving from ignorance to resonance.
| Original language | English |
|---|---|
| Pages (from-to) | 163-186 |
| Number of pages | 24 |
| Journal | International Journal of Communication |
| Volume | 15 |
| Publication status | Published - 2021 |
| Externally published | Yes |
Bibliographical note
Publisher Copyright:© 2021. (Franzisca Weder and Denise Voci). Licensed under the Creative Commons Attribution Non-commercial No Derivatives (by-nc-nd). Available at http://ijoc.org.
Keywords
- agonism
- climate change
- deliberation
- Eco-art
- narratives
- nonprofit communication
- sustainability communication
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